Sam Goldsmith

A blog about music, travel, writing, photography, politics, Istanbul, teaching, life, and everything in between
Showing posts with label Marche. Show all posts
Showing posts with label Marche. Show all posts

Sunday, May 11, 2008

l'Ultimo Baccio: Saying Goodbye to Firenze


The Duomo in Milan


Ciao, Tutti!

It has been a while since I wrote about Italy to you guys, and it will be an even longer time before I can write about it again. I arrived in Berkeley almost 48 hours ago without my bag because it missed my connection from Paris, but I expected that because we only had a 50 minute layover to run through the enormous Charles de Gaul airport, so I packed everything important on carry on baggage. Plus we were 25 minutes late. Anyway, I have my bag now, and without final exams to worry about, I have time to write my last travel edition of the blog.

Two words of warning before I go into this: 1) This is by no means the last blog. I only expect this blog to become more music-oriented, like the Sam Goldsmith website, rather than a online travel journal. I will still be writing, so don't forget about me!

2) Since I haven't written in so long, there is too much to write, as always. I have about 280 pages in my personal travel journal, which is not yet finished, and multiple pounds of scrap booking things. I will try a new thing with this blog so that I don't wear everybody out, especially me. I will make a slide show with in-depth captions, so the blog will revolve around the photos rather than the story. Plus, there isn't much of a story except I was traveling throughout northern Italy for a few days taking pictures.

I apologize to all who are still waiting for my postcards to arrive. I have them all here with me, most of them being written, but knowing the Italian postal system, I figured I'd rather deliver them in person, or at least mail them from the states.

Music Announcements

I must include this segment first, since a development occurred for the 20th birthday concert. The Bowery Poetry Club moved the date until the following Sunday, September 28, 2008, from 6:00-7:30, instead of September 25. I earned 3 more days as a teenager. If you plan to come out for the show, I'd wait a little longer before making plans because, who knows, they might change again.

The premier of Guest Artist will be on Saturday, June 28, 2008, at the Bluesix Acoustic Room at 9:00. Will be a great show, worth the trip into San Francisco to see. The Inspiration Sextet will also be playing a sequel to last summer's Jazz School performance, though there will be some personnel changes due to people leaving town early, and the two shows will feature entirely different sets of music except Guest Artist. Come to both! 8:00 at the Jazz School, August 17.

Good to get that out of the way. Now for the main show:

Genova



This is a view of the city of Genova from the port. Genova is the second biggest port in Europe, the biggest being Barcelona.


The city of Genova. I took this picture from something called the "Bigo," a device that lifts you 40 meters above the ground at the pier next to the aquarium. Speaking of the aquarium, which I have no pictures of... Genova has one of the best aquariums I have ever seen, very well-organized and very fun. I learned a lot of Italian words for marine animals there.


I thought this stairway was pretty. I was walking over a bridge and looking down on the roofs of the apartment buildings. Genova is a city with drastic hills and many height contrasts. Because it's built into the mountains, it is rather long, and most everything one would want to see is by the coast. But I like overhead views.


This is the cathedral of Genova, a work in progress when viewed from the inside, filled with many obvious add-ons and architectural features that don't fit the rest of the design. I liked the facade a lot, though, and they had an amazing treasure museum with the Holy Grail and the plate where John the Baptist's head was kept. It was creepy, but I had just written a paper about these sorts of holy relics, so it was pretty fascinating, too.


An overhead view of the cathedral. In all the other cathedrals I had seen throughout Italy, the structure was similar, but this one was different. There is not much space in Genova, so instead of having the two chambers off to the sides they built their cathedral with the two chambers along side the center altar, so the church takes up less square footage. I took this picture from atop a tower of the royal palace.


The small house is supposedly where Christopher Columbus was born. I didn't go in since I wasn't all that interested by it. Seemed like a tourist trap.

Torino

I didn't get many good pictures of Torino, and I didn't like it as much as the other two cities. But I did get to see some great panoramic views of the too-modern city and the Alps behind it. The main cathedral was very uninteresting, actually about the same size as the other large churches and in now way in a more centralized position than some of the others. And the facade was so dull and bare. And another church had the famous Shroud of Turin, which I saw by accident, not knowing what it was until afterward when I was wondering why there were so many pictures of it up around where tourists were supposed to go. I liked the green building with a dome and spike at the top. "Il Mole" used to be a Jewish temple, but now it's the national cinema museum.


The Po river and the hill I climbed to get my panoramic views. Also on top of that hill was a mountaineering museum, which was interesting. I think I liked the proximity to the Alps more than the city itself, though this may have been because everything was closed for the May 1 national holiday, or I might have been worn out from being a tourist and not sleeping much.


Here is a great panoramic view of the city. The big building is Il Mole. I don't really know too much about Torino, except that it's very French and very baroque, and apparently it was very important in conjunction with Milan and Genova in the Italian industrial revolution. I could tell it was French with the big, square, bland piazzas with repetitive buildings all in the similar design as Versailles. I liked the other side of the Po River better because it was greener and I could see the city with the amazing mountain backdrop. I really did like the mountains. There's a video that won't upload to my computer right now, but I could see the mountains forever and ever it seemed from my perch on the hill. It was quite serene once I got out of the main city.

Milan


I did not actually visit Milan. I only walked through it to get to the Duomo, which was all I wanted to see of the city, except perhaps the opera house that's so famous. I would rather see an opera then the place where it's performed, though, so I didn't care to go, and besides, with only 3 or four hours in Milan I needed to give the Duomo proper respect, and I don't even think that devoting all my time in Milan to it was a big enough tribute to it's awesomeness.


The day was so bright, the cathedral was so white and clean, and the architecture was so bizarre that I was befuddled at times while I was looking at it. I often wasn't even able to tell what I was looking at on first glance, whether there was a wall in front of me or at my side, objects' distances from me, the angle at which I was approaching, etc. It was almost a mystical baroque mind trick device, so elaborate that there is not more sense of front, back, or shape. And yet it was still definitely a duomo, like the others I had seen in my travels.


After going inside (and seeing two preserved bodies of saints, speaking of holy relics), I took the climb to the top, and I enjoyed not being tired as I heard the other Americans panting and muttering curses under their breath as they struggled up the tall and narrow staircase. Kids would come down, and I could hear, "cento trentuno, cento trentidue, cento trentitre" under their breath as they counted the 131, 132, and 133 steps. I don't know how many there were, but people seemed to think there were a lot.


The top was a very strange thing. It was basically a marble roof structured the same way as the roofs of our houses are today, with marble stucco and everything. The view was not so great because Milan doesn't have a very interesting skyline, but it was quite amazing to be able to walk on the crooked roof of the amazing cathedral and look down on its mighty piazza.

San Elpidio al Mare concert, May 3


This is the theater we played in for our last concert in Italy. More people showed up after the soundcheck, but it was difficult to take pictures in the dark. It seated somewhere between 300 and 500 people and was pretty full by the time we started playing. Even though we didn't play all that well for a variety of reasons, including personal, technical, and physical, we played well enough and the people liked it quite a bit, so that was good. I felt good about it, and I had played well, despite the fatigue and lack of practice from the vacation I had taken the preceding three days, and everyone has off-days and you just have to take it like a professional. The place was on a hill by the Adriatic sea, about a 4 hour drive away from Florence, in the region of Marche.


We ate dinner in a castle, actually, and wonderful osteria, which was about the biggest restaurant I had ever seen in my life. The man sitting next to me (who took the picture) talked to me really fast in Italian about how bread is made in Marche, and between the speed and the heavy Marche accent I could only understand about half of it. Still, after my Genova trip where I didn't speak a word of English for 3 days I felt stronger in Italian than ever before. Just in time to take the exam and then take my leave.


On the left is Greg, the guitarist in the band and one of my suitemates, and on the right is Simone, our Italian drummer who we had all become very close with during our travels throughout Italy playing, as well as with our bassist Piero. They are standing next to an advertisement for our show that night. These were up all over the city, and we had an article in the newspaper, so I guess it was a big deal. We are already making plans for Piero and Simone to come out to New York this fall to visit, trying to make suer we'll have enough room in our dorms to put them up for a week or two.


After a basically zero-hour night sleep, the only thing waking me up was this beautiful view of the Appenini mountain range. I think after all this time looking at city monuments and churches and artwork I have started to become very fond of natural beauty, even more than usual, and I have started to miss Yosemite quite a lot. There is a point where every church looks the same unless it's the Milan, Florence, or Siena Duomo (Even St. Peter's is just a bigger version of less interesting churches I've seen, just with a great Michelangelo sculpture at the front). I'm sure it gets like that with mountains eventually, but not. You could make the greatest cathedral ever and it still won't be as grand as a giant mountain.

That is one thing that made me feel better about leaving Florence, feeling that I was ready to be done with travel and tourism. I don't feel like moving city to city and seeing the monuments anymore, I feel like staying put and living, visiting people and nature. I could stay put in Florence and still be happy, but it's time not to move around so much. Speaking of tourism, Florence has started to become more and more crowded and congested with obnoxious Americans, and probably those from other nationalities, too, but the Americans are the most noticeable because they're the most obnoxious. They make it streets so crowded that it's tough to walk down the street to the supermarket, let alone to the Uffizi, whose line was so long I never even made it back to say goodbye. That, the increasingly hot weather, and the zanzare (mosquitos) are the only things I can think of right now that I won't miss about Florence.



As a goodbye present to myself I went to Fiesole, a little rich town outside Florence that has the best view of the Arno Valley. I've been into overhead views a lot lately, as you can see, but I do think that it's a good way to wrap up the semester, the wonderful, life-changing semester. I could see the whole place from where I was standing, all of everything I had been enjoying so much for the last 4 months, all so small as if it was in a little jar to take home with me, a little memory in the blue haze of the sky. No matter what happens, it's a city, a great city, and I can always come back because it's not going anywhere, and even if I don't for some reason, it will always be that little collection of buildings with a red dome of to right of center. When I got there in January, that view would have meant nothing to me but a pretty landscape, like the view of Torino, Milan, or Genova. But this trip gave this place meaning to me, meaning of more than just a place with pretty buildings, but the closest to home I have ever felt outside of the Bay Area. It's like I could see time, the whole time I had been there as I looked at the city, though I could also see the history, the Romans coming down from Fiesole to make a small town on the Arno, the building of the baptistry, burning Savanarola outside Palazzo della Signoria, the recent elections that seem to be taking place every year since World War II. Never have I made a trip where the ending seemed so complete, and so I was not overly sad to return home a few days later.

Mi piaci, Firenze, e non ho voluto partire. Penso che ci vediamo a presto. Lo so

-Sam goldsmith

Saturday, April 26, 2008

Un Giorno Perfetto alle Cinque Terre



Ciao, Tutti!

Things are getting a little crazy around these parts as final papers start to come in, people begin to prepare for tests, the final concerts are coming up, and everyone who can't wait to get home gets antsy and people who don't want to leave get sad. After teaching last Wednesday, the teacher and I went over the next two classes I would teach before going back home, and it was more than a little disconcerting to think I would be gone so soon. The idea of spending a year or so here after graduating to teach English is becoming more and more appealing.


View from the Oberau Train Station

Before I talk about the perfect day in Cinque Terre (SHIN-kwe TER-a), I should mention my trip to visit with Shira and Billy, which was interesting since both Shira and I look quite a bit different than last time we saw each other. It looks like the baby will be here in about 5 weeks, according to my expertise in the area, or my calculations after hearing what the due date is. I was glad to have a chance to see where they live because there aren't many people who are going to be able to see the house where little Sophie is going to spend most of her first year. Plus, next time anyone sees Shira from out of town she will be a mother. I certainly felt like I was very lucky to be able to make this visit at this point in time.


View from Shira and Billy's backyard. The light made this picture hard to take.

The best part about the visit was the main reason I went, which was the passover seder. Last year I was in New York for the holiday, and I didn't get to celebrate it at all, though I do only have to blame myself for skipping the seder my friends were having. But it was so nice this year to be spending the passover with family, the way it's meant to be done, or at least the way I'm used to. Passover is an important holiday for me because of my version of the bar mizvah, where I spent a year studying the haggadah (not enough to spell it right, though) and learning how to lead a seder. It was just so nice and homey to be reading the story and singing the prayers once again with family. It was a small affair this year, only 10 once the stragglers showed up, which was probably a good thing for Shira. It was intimate, and we went at our own pace, allowing for the questions, serious or not, to be answered by the 4 Jews at the table. I had a great time, so great, in fact, that I completely forgot to take pictures, much to Aunt Marsha's probable disappointment. That says a lot, saying as I took 125 pictures at Cinque Terre. Taking pictures immediately makes one feel like an outsider documenting an event rather than taking part in it, and I was having too much fun to withdraw from that to get some photos to send back home. However, when I wasn't avoiding writing my paper, I did manage to get some good pictures of the house, plus I got some at the train station.


Another view from the Oberau Train Station

The small town Shira and Billy live in (whose name I don't remember) is very close to the foot of the Alps, which was evident as the mountains seemed to rise up from right in front of me. It was drop dead gorgeous, the whole scenery, the car ride, the train ride, and even the flight. They live in a small farming community which was very relaxing for me to spend the weekend after a semester of hard work, though it didn't help me tackle my paper. However, after a long stay, I can imagine it getting old. Still, I appreciated it quite a bit.


Shira and Billy's house

It hadn't stopped raining when I got back to Florence. the weather here has been very strange, and even the Florentines don't get it. I was really hoping for good weather before I left so I could see the Boboli Gardens in bloom as well as the gardens on campus. But, sure enough, spring arrived with T-shirt weather on Thursday, and, bounding with the temperature-induced energy, I figured I would get up bright and early at 6:30 to take a train to Cinque Terre Parche Nazionale and make up for the two times before I wanted to go but failed to do so.


View of Manarola from the mountains

It was completely worth it. My goodness, the place was so amazingly beautiful.

Cinque Terre literally means "five lands" or "five villages." It is located on the west coast in the middle of Liguria, the region north of Tuscany. It's about a 15 minute drive from Portofino and Santa Margarita, where I had visited about 3 years ago with my high school band. The five villages are spaced out along the coast and there are numerous trails that lead you from one to the other. Just behind the towns are rolling hills which double as a large farming community.


Manarola

Some initial observations: First of all, it was like the trip to Portofino back in the day, but many times more beautiful. The buildings were built in the same colorful style and the trail had the habit of running through random people's back yards. For example, we walked by a party going on in celebration of the Italian Liberation (I went on their version of Independence Day).


Note the crowd surfer. You can't really hear the loud music they were playing just by the photo, though.

Second, there were all sorts of tiny paths that didn't look like paths until you saw where they were going. A lot of times I had to double back in order to tell where that path began. These were usually paths that led up to farms or private residences. It was sort of like Venice, but the paths actually went somewhere instead of into the water. It gave new meaning to directions that don't use street names but "the third bush after the ninth tree" or something like that.


This door seems to be in the middle of nowhere, but there's actually a path that makes it important.


I think it's obvious it's a path because of how I took the photo, but it wasn't so evident as I walked by it.

Third, everything was so amazingly green! You can tell by the photos, but it was obvious spring had arrived and the farmers were happy. Combining the unnatural blue of the sea with the verdant green of the hills and trees made for a naturally vibrant hiking day.

The names of the five towns, in order, are Riomaggiore, Manarola (the one I got the best pictures of), Corniglia, Vernazza, and Montarosso. I got to Riomaggiore at about 10 in the morning to begin my hike. I wanted to get through all of the towns, and as a consequence I didn't take many pictures in Riomaggiore. I could have taken some looking back, but the sun was just rising in that direction and it was impossible.


Foot trails map

The path most traveled in the park is trail 2, which is not very strenuous and leads you along the coast so you can smell that wonderful sea air and get a good coastal view of all the towns you're going to. It's also the one built best for large groups of people, but even that wasn't enough to keep from congestion. As many of you know, I walk rather quickly, and this was the trail for families, and families don't usually want to walk in single file. I had originally wanted to do the hiking parts as fast as I could so I could have some time to explore the towns, but, as we will see, I ended up doing something much different.


Manarola

By the time I made it to Manarola I decided to try and take a trail above the rest of the people going on path 2, but I took one that took me about half way to Corniglia, then sent me back to Manarola, so I got to see it twice, which may account for why I was able to get better pictures of it. After the blunder I decided to walk seaside again to get views such as this one:



In Corniglia, on the way to the next trail, I saw a sign that looked like this:



So I looked at my hand held map and made sure the trail would eventually lead to the next town of Vernazza, which it did, so I whimsically went off trail and started the uphill climb, which turned out to be just about entirely uphill. There was an elevation gain of about 2,000 feet in about half an hour of hiking. All in all, the trail was 2.5 km long, so a mile of hiking that went up 2,000 feet. That means more than 2/3rds of the hiking was uphill as opposed to moving straight. Puts the trail at a 60 degree angle. My legs were shaking when I reached the road at the top of the mountain. But the view was amazing and it was totally worth it, though Mom would have hated how handicapped inaccessible it was.It made me worried, since I want to go to Yosemite this summer, but if I had such a hard time on this trail, I don't know if I'm quite ready to go all the way up to Half Dome, which is quite a lot more elevation gain than what I did in Cinque Terre.


Coniglia from above

This hike was the best part of the trip, even if my calves are still sore. It was very cathartic, very introspective, and I could feel my mind clearing. Suddenly I could remember things clearly, things from back in my childhood, and make connections to solve problems that had been forgotten by now (Flip Saunders needs to do this kind of hike). I was all alone in the mountains by the sea. It was an ecstasy, a mental cleansing, and I felt in a better, more optimistic state of mind that I can remember in a long time. I felt I could go back and finish Guest Artist in a sitting, that I could stop stressing about this movie score because I could just sit down and do it, that I don't have to worry about my exams because all I have to do is study for them. I even felt for the first time that I could talk to Mariel without anger, reserve, or fear. I felt like I could tackle all my problems as long as I was on that mountain, like my mind was sharp enough to handle anything set out for it to do. A feeling of "I can do this" about everything. Barack Obama would have been proud. He must do hikes like that all the time. All jokes aside, it was a profound experience for me, perhaps even as far as spiritual. And, of course, it felt like the perfect ending trip for this wonderful semester of mine, a feeling of closing up all the holes left open until this point. It was a truly wonderful feeling.

Part of the consequence of taking the long way around, other than the shaking in my knees, was that I approached the next town, Vernazza, from the back rather from the side, and the path winded down people's back yards, directly through the farming community next to a river. It was so green and full of spring that it was fairly obvious that the farmers were having a good time with the great weather. I liked seeing the little rails with carts on them used to transport things up and down the hills. The whole community seemed to take living on the hills in stride, though with all the uphill climbing they have to do as suggested by the crazy steep stairs, they must be very fit and worn out at a much younger age.



I just booked a hostel to Genoa for a couple days next weekend to celebrate May Day, which is a national holiday here. One last great trip in store for me before this whole adventure comes to a close.

Music Announcements

Very exciting news: The NYU in Florence jazz bands got a final surprise gig back in Marche in a town on the sea close to Macerata. This gig is going to be different than our normal club or cafe dates because we will be playing as a preview to their summer jazz festival in which two NYU groups are playing. This means they will give us a theater and 500 or so people to play in front of, as well as enough money for each band to give us a place to stay for the night and enough to pay the leader of the ensemble I'm in, a stellar trumpet player from Rome who takes our ensemble to another level, though we have yet to play with him in concert. This show will be on Saturday, May 3, so if any of you happen to be in Marche and in the city whose name I don't know yet, you might want to come and see the show.

Tomorrow, Monday, April 28, is the Jazz Party at Villa La Pietra where the bands will play for the students and staff at NYU's campus in Florence. The show should be nice, not that different than the one in the theater on May 3rd, though we have a pretty strict time limit. It is our last (sniff!) performance in Florence.

May 6th is the scheduled date for the performance of the film score. I suppose this means I have to finish it. This is the last thing in the school year that is pumping coffee into the butterflies in my stomach. I do have my friend Leo set to conduct it, and I trust him, but I'm most worried about leading a rehearsal because I don't really know how to rehearse this kind of thing. I hope everyone can sight read it. But if all goes well, the show should be like nothing I've ever done before. In a good way. And it has been fun doing this film score, but it's also been just about the hardest thing I've ever done. With hindsight I would have liked more practice with shorter scenes first, since writing 7 minutes of silent film music is pretty tough, but here I am!

Again, the shows for the summer, which will kick ass:

June 28 at the Bluesix Acoustic Room in San Francisco The first ever performance of Guest Artist, as well as a celebration of the year-birthday of my CD, "Summer Victory Dance." I will bring a repertoire of political music I have written as well to anticipate the end of Bush's final term.

August 17 at the Jazz School in Berkeley My last concert as a teenager will feature a different arrangement of Guest Artist as well as performances on many different instruments I have either never played on stage before or haven't for a while. I will take advantage of the electricity that Bluesix doesn't have.

September 25 at the Bowery Poetry Club in New York City The Sam Goldsmith 20th birthday celebration concert. I haven't planned far enough ahead to say for certain what the focus of this show is yet.

Every show will feature the Inspiration Sextet.